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Rachel Cattle's drawings and films of places, objects and people attempt to re-inhabit and somehow explain emotional states or a feeling. The act of pencil drawing and its associations with learning to draw when young is as integral to her practice as is the subject matter. 'The immediacy of drawing... brings her closer to the moments and feelings that she pursues, whether they belong to a place she visited as a teenager, a particular frame within a horror film, a scene from a fairytale, or a piece of music.'(Robert Lowe, 'I am not I: pity the tale of me', Axis Curated selection)
Paul Stone, 2008, Axis Future50 |